A Dream of a Feast

Some years back, a friend took me to Gallery Row in Lancaster and I was delighted to find the galleries of Liz Hess and Freiman Stoltzfus next door to each other. Fun, fun!

Liz Hess is an artist who incorporates a red umbrella in many of her paintings. Her style is whimsical, fanciful, and worshipful and I like it a lot.

Frieman Stoltfus tends toward abstractions based on classical music, European architecture, Lancaster landscapes, and his Amish heritage. I love the emotions in his abstract paintings and the grounded, thoughtful, pointed ideas in his realistic work.

In that first visit, I saw a small print of his The Last Supper and I told myself that someday I want that in my house. I started following the gallery on Facebook, and loved all I saw, but never forgot The Last Supper. Several years later, it was August 2020 and somehow I knew that now is the time. I perused the website but couldn’t find the painting, so I contacted the gallery’s Facebook page to ask about it.

Bethanie, the gallery manager, answered quickly and said she can get it printed for me. Which size would I like? Plus, all the prints were 20% off that month!  It came soon in the mail, and I carried it around campus to show people what I was so happy about. I love it so much.

It would seem that its title is an allusion to Leonardo da Vinci’s i but I always want to call it the Wedding Feast or The Marriage Supper of the Lamb because that’s what it is to me.

It’s framed now, and in our kitchen. I love to have people look at it and I ask what they see. They always mention the diversity of skin colors, ages, and cultures. They see the cathedral effect in the background, the record player, and the abstract yellows. There’s both definition and mystery.

I love the Japanese lanterns in the trees, the way the people are leaning toward each other in open body language, the groom’s hands are inviting someone outside the picture, and the empty chairs say there’s room for more. And it’s a party! There’s music and cake, wine and candles, and the night is still young. The celebration is going to go on for a long time.

                   

It doesn’t happen often, but sometimes I get a little peek at this in real life, where there’s laughter, conversation, lights at dusk, diversity, music, and food. I have a palette of memories like this to treasure, a painting in my kitchen, and a great hope to live in.

Doodling Toward Wholeness

In 2015, I wrote a post about my favorite therapy. In it, I wrote about what helps to keep me less twitchy. I’ve kept the therapy because it’s cheap and cheerful and who needs Hallmark if you can doodle?

I made this for my sister-in-law who kept it on her fridge.

I’ve kept adding designs to my Pinterest board and whenever I’m at loose ends or bored–and let’s face it, that’s rare–I go to this board to get me unstuck. All I need is paper and a black gel pen.

Once I was in church and trying to stay awake, so I doodled on the notebook paper in my Bible, inspired by the design on a dress I saw.

It’s worn and tattered, but I don’t feel like throwing it away.

I doodle when I’m in an orientation meeting that I’ve heard before. I doodle when I’m trying to stay awake in church, which is rare. I doodle when I’m at an art party, and sometimes the doodles progress to color.

A wedding card

This happy pile emerged from an art party at Christmas time.

This stiletto is way too fun to make!

Remnants found in my Bible on the backs of church bulletins. The color comes from markers borrowed from the child beside me.

I scribbled this during a members meeting at church.

Now I do simple sketching and watercolors on cards. I make a bunch of the same kind of design because it’s easy but I try to keep updating and improving the designs so that not everyone in my world gets this design for the next three years.

Making cards gives me a viable outlet because I need to go somewhere with what I make, and I can’t coat my walls with all of it. And anyone loves receiving a handmade, unique card, don’t they?

Anyone can do this, and that’s the beauty of it. Buy a pack of cards and envelopes from Joann Fabrics or Michaels with a coupon and a pack of 8 gel pens from Dollar Tree and you’re set. You can supplement with watercolor or colored gel pens or sequin stickers, but less is more, and extras aren’t essential. Turn on a classical music playlist and doodle for thirty minutes and the process will significantly improve your week. If it doesn’t help, talk to me!

In these crazy, chaotic times, creating beauty in whatever form you choose is a decisive, active way to defy the chaos and declare that hate and tragedy and death aren’t the deepest realities. Maybe you don’t doodle but you bake a cake or make soup. Or tend a flowerbed. Or do woodburning. Or shine your windows. Or pot plants and give them away. I don’t care what the medium or mode is, but be sure you create regularly.

Creating is a means to an end: aligning the whole person with what is true, good, and beautiful, and sharing it. The world–and your soul–is starving for beauty. What will you create and share?

 

What Gives You Joy?

Last week I was in front of a group of razor-sharp students in Ethics class. I had been asked to share stories from my life that shaped me, ordered my loves, showed me a direction to walk toward. Telling stories is fun and easy. In the Q&A afterward, though, I found it hard to think on my feet and respond well.

What gives you joy? I love this question, but I wasn’t ready for it, and stumbled around it in ways that make me wish for a replay. The question and my initial response still lingers in my head, so here’s how I wish I’d have answered.

People give me joy. They are unpredictable, colorful, zany. Interacting with people, talking, laughing, hearing their stories refreshes and relaxes me. Silence, closed faces, refusal to interact makes me angry–not a response I’m proud of. I want to live so that anyone feels safe and free to put anything on the table to talk about. I’m not great with conversation and conflict resolution and asking questions to understand but it’s my goal, the direction I want to walk toward.

Simplicity gives me joy. I don’t like details. I don’t like STUFF (pronounced in a repulsed tone of voice), as in things that collect dust or peel or get grubby. They weigh me down and clog my brain. I’m impractical that way, and I’m not proud of it either. I need to learn how to live well in the tension of living in the real world where we need to maintain houses and cars and food. If Jesus’ life showed us the definition of the good life, I see simplicity in His lifestyle. He didn’t even own a pillow. I see Him caring about people, prioritizing them over stuff. I love

  • salt and lemon on avocado
  • sunshine, sunshine, sunshine
  • toddler’s giggles
  • gradients of colors like brush strokes on a cherry or apple
  • the shape of eyes and sweep of cheekbones
  • raindrops on petals

Creating gives me joy. I care deeply that God’s people create more than they consume. I love the process of creating something that didn’t exist before:

  • A pot of soup.
  • A poem.
  • A conversation.
  • A doodle in the margin.
  • A change of attitude.

In creating, I feel more whole, less fragmented, because the process aligns all the parts of me, and lets me embrace, for a fleeting moment, something of what it means to carry God’s image as Creator. I wonder what kind of woodwork Jesus made, and how His fingers handled a piece of wood. I wonder how He engaged people in conversations.

There’s limited value in putting my joys and dislikes on the world wide web unless it nudges someone else to order their loves, define their joys, and weigh them against what Jesus loves.

What gives you joy?

Songs Stay On

It was a year, as everyone has already noted.

I don’t have words yet to talk well about it, and there are still clouds and questions with no answers. I am hopeful but not glib about 2021. Not chirpy, as my personality tends to be.

This not the place to list last year’s losses. That would take too long and be too depressing. But one immense loss has been choir, choir concerts, and formal and informal singing groups. I feel incredulous that last January, just before the year started unravelling, I went with friends to a packed auditorium in Cleveland to hear the St. Olaf Choir conducted by Dr. Anton Armstrong. I still listen to some of the songs I heard that night. I’m not a gifted singer, but listening to songs and singing with people feeds me like nothing else does and I miss it terribly.

In the darkest, hardest parts of the year, when I couldn’t sing, I listened to others sing. Often it was “Jesus Strong and Kind.” Or “Sure on This Shining Night.”

When everything inside me feels scrambled, I listen to choral music. When I want to rest my soul, I turn on my favorites, this curated list of chorale gems. The voices, harmonies, and chord progressions soothe something deep in me. I start breathing deeper and my focus shifts from troubles around me to the shimmering melodies or words. This list has multiple arrangements and languages of the Lord’s prayer and Psalm 23. Wonder how that happened.

This list are all my favorites depending on the moment, but indulge me while I share my exceptional choices:

  • Pieces from Stellenbosch Choir. From South Africa, they have a rare, winning blend of Dutch harmonies and African rhythms. I dream of hearing this group in person some day.
  • The first time I heard the stunning soprano lines in Arvo Part’s “And I Heard a Voice,” it took my breath away. Then I read the backstory to the song, and how he composed it in his native Estonian, and now I like it even more.
  • Sometimes I wake up with lines from Forrest’s “Come to Me” or Mealor’s “The Beautitudes” in my head, and it makes the whole day better.
  • Whenever I hear “Indodana,” I see the silhouettes of the women at Jesus’ cross, weeping with no words. I can’t listen to the song without some emotional fortitude because it’s so sad. But it gives voice to what was the most wrecked night of their lives.

I often think CCM has more honest lament than classical and sacred music does, so I find some CCM lyrics cathartic and healing, but I don’t find most CCM beautiful aesthetically. And beauty is what I need when I’m fragile or sad. Beauty (very loud or very soft) or silence.

Toward the end of last year, I got to sit in on the dress rehearsal for this recorded Christmas concert. The only thing that’s better than singing in choir is listening to your friends sing. While they practiced, I sat on the floor in the back of the gym in the dark and cried because it was so beautiful. Earlier in the year, some of them were also in on this virtual choir and I’m so proud of them.

Clearly, this is the era of virtual choirs. Even though it goes against most of what is true and enjoyable about choir, virtual choirs offer something better than silence and isolation. Last summer, I heard about Eric Whitaker’s “Sing Gently” virtual choir about two days before the tracks were due in. I downloaded the sheet music and the practice tracks, but didn’t have time to finish. That close, I would’ve joined over 17,000 singers to debut that sweet song, and it would’ve been a nice way to remember the year. Maybe another song, another time.

Hope wears thin these days, but in brighter moments, I believe that some day we’ll pack into auditoriums and sing again. I dream of attending a concert like this of Brahm’s “Requiem.” The European elegance, red and black formal wear, the singers surrounding the audience–I would be be in raptures.

Singing aligns all the parts of a person with beauty and goodness, which is one reason it’s so healing for me. In this fragmented, splintered, fraught era, we need more singing. We need songs everywhere. We need truth and beauty and goodness flung around in music and voices and community. We could never have too much.

On Tweaking

This is another post in a brief line of art posts I started doing around the first of the year.  I don’t know how many more I’ll do. There are still pieces of art with stories around my house, but, well, not everything has to make it to the interwebs.

I don’t know if it’s my Hochstetler genes, but whenever I eat new food or see a simple decoration, I think, “I could do that at home. I could even tweak it and make it better.” I grew up hearing my mom say it, who heard her mom and sisters say it. It’s a way of looking at the world with awareness and creativity. Having DIY hands also helps.

My hands don’t know how to fix much around the house, but my hand-eye coordination is pretty sound and my fine motor skills are well developed.

Also, I usually know my mind when I’m shopping. Most times, I know what I want or don’t want, and I’m scared enough of buyer’s remorse that I usually really like something before I buy it.

There are, however, exceptions, where I’ll put something in the cart, put it back on the shelf, then circle back to get it again. I did that a couple months ago with wireless earphones, and have been so glad that I bought them after dithering too long about them.

Then there was this mug. In our town in Poland, there was a store that we called “The Kitchen Store.” I think its real name was “Galeria” but we never called it that. It had everything Polish housekeepers would ever need, including the jars and gizmos for distilling vodka. When I bought cleaning supplies there, I’d always breeze past the china and mugs and glassware to see what new irresistible thing had arrived.

That was when I found this big mug, perfect in shape and size, both elegant and flamboyant. I put it in the basket, walked around a little, decided it’s too expensive, put it back. Picked it up again, knew how I’d improve it at home, decided I don’t really need it.

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Then I remembered how much a cup of coffee cost at Ekler, my favorite café, and did simple math and found I could have coffee in this mug several times at home for less than coffee several times at Ekler, and even though that reasoning has holes, I got the mug.

At home, I got out my collection of bright Sharpie markers and colored in some of the shapes with my favorite bright colors. It stayed mostly black and white, but got a touch of exotic flair. Then I baked the mug at 350 for awhile, I forget how long, probably about 20-30 minutes. When it was cool, I varnished the colored places with clear fingernail polish. This is not as simple as it sounds because it’s hard to track where you’ve painted if your paint is transparent. (Baking the color is essential, because if you try to cover the marker with polish before it’s baked, the polish makes the color smudge and smear.)

When that  dried overnight, I got to use the mug!

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That was about 8 years ago, and the mug is chipped in a few places, and the color is slowly disappearing, but I still love it so much! And I’m glad I defied my hesitance to buy it. Tweaking it and making it my own has given me many, many mornings of pleasure!

 

Nested and Ready

Some years ago, in the days between Christmas and New Years Day, a handful of us took the train from Warsaw, Poland to Berlin, Germany. In addition to taking in charming Christmas markets and glorious coffee, we took a walking tour based on Berlin in World War II. We met our tour group at the gates of the world-famous Berlin Zoo (but didn’t go in, so I want to go back) and walked around the city for the next three hours.

Our guide was a passionate college history student. Among many  things, he showed us the Reichstag building, the enormous Hauptbahnhof, remnants of the old Berlin Wall, and ended at a parking lot under which Hitler had his last bunker and killed himself.

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Reichstag building

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Hauptbahnhof: Berlin central station

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a playful bear between remains of the Berlin Wall

I often think about part of the tour where the tour guide had us stand on a sidewalk and look at the shops lining the street and apartments stacked above us. He told us to imagine how it was for a housewife who lived four stories high during the war when the Allies’ planes dropped bombs on the city. The housewife would cook and take care of children and do the grocery shopping with ration cards, but every minute, she had one ear open for planes and the air raid sirens.

When she heard the sirens scream, she’d turn off the burners on her stove, bundle up her children, trundle them down the steps, and head down the block to the nearest bomb shelter. She would wait there in the dark with strangers and sick, terrified children until they heard the all-clear sirens. Then she could go back home but never knew what time of day or night the sirens would go off again.

The level of stress, fear, and traumatic memories had to scar that generation beyond what we will ever know from history books.

These days, another era of devastation is happening in Syria, Turkey, and Greece, with traumatized men, women, and children running away from fire and bombs and being refused a safe place to stay. They’ve left everything they love and own, but people shoot at their boats to keep them from landing safely.

When I see those pictures and hear those stories, it makes me cry and feel like the richest girl in the world. Our current distress of endless disrupted plans and shelter-in-place restrictions is nothing like the trauma of being homeless and escaping bombs.

There’s a valid sense of loss and grief, but let’s keep some perspective. I don’t want to be glib because this IS real hardship for a lot of people, but we have food (not rations), soft and warm beds, electricity, and WiFi to connect us to our loved ones. This is hardly trauma–not the kind that rearranges our neural pathways and transfers to the next generation. It’ll be in the next history books, and it’s taking awhile to find our way, but MOST of us aren’t fragmented and devastated like a country in war.

A couple weeks ago, before the social distancing restrictions, a sweet friend hosted a painting tutorial party. It was the best way to spend an evening, and our teacher said she enjoyed it more than anyone, which was hard to imagine because we had so much fun.

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While we painted, we talked about words we could put with it. Everyone had different ideas for words they could use. Several days after painting it, I cautiously wrote some light, feathery words on mine then took it to my office.

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He will cover you with His feathers.

 

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Now with the COVID-19 upheaval, I keep thinking about how we’re in a nest. It’s a little dark and prickly in spots and confining, but we’re utterly safe. We’re fragile and clueless, but the enduring nurture, tenderness, and gentleness of God’s feathers cover and carry us. We have access to healing and rest and comfort beyond words.

We’re not going to do this crazy era perfectly. We’ll get impatient and frustrated and feel odd compulsions, and it’s ok. Crisis brings out the worst and best in us, and we can give each other space to fail.

But what I love about this is that, unlike World War II, this is not one nationality pitted against another. The pandemic is global and it’s unifying humanity like we were created to be.

Christians should be leading the way to model what Kingdom citizens do in crisis: respect, serve, love generously, sacrifice, create, work in tandem with God to make His power and glory visible.

Like a great stage master behind the scenes, He has already been working to put the broken world to rights. We are covered with His feathers, and He had this wild idea that we could partner with Him in that enormous work. (Ok, the metaphors are getting muddled here, but think about it!)

I don’t know everything that partnering with the Almighty means but I’m in! It will probably not include heroics. It will probably mostly involve little, hidden decisions to do the next right thing and push against comfort and toward love for others.

Join us?

A Lifescape

I work at Faith Builders, where we provide learning experiences that nurture love for God and neighbors. Part of the program for Christian Ministry and Teacher Apprentice students is their internship, a five-week stint in an established school or ministry. Whenever students ask me for advice as to where to go for internships, I tell them to go, go, go. Outside their zip code. Outside what’s instinctive and comfortable. Outside the country.

I have this theory that we don’t change or grow if we’re always comfortable. But that’s another post for another time.

This week students gave short reports about their internships. One had been in Greece, and another in Ireland. Both made me cry. I felt this deep, wordless connection with their stories that condensed into tears. They weren’t just reporting. They were taking me back. I’ve been to those places, breathed that air, ate that food, loved those people. The girls’ experiences tugged at my heart strings that stretch taut to those places.

Several years ago, I saw this painting at my friend Dervin’s house.

Dervin

I thought it was striking even if I don’t like gray, and he said Susanna, a mutual friend, had painted it for him in preparation for an art lesson, and it shows the places he’s lived in.

Cha-ching! I knew my next project.

It would be a way of illustrating the places I’ve lived in and loved. It would help organize my story and help me make sense of it. I pinned the picture to my To Paint board on Pinterest and looked around for similar designs. Susanna shared her art lesson plan here. About a year later, I toyed around with design and color, and came up with this.

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Oddly enough, it sits on the floor behind my office door. It’s the story of my life, and it sits on the floor. There might be a subliminal message there, but I don’t dwell on that. I love the cool, lively colors peaking out from behind the door when I’m working.

Childhood

This is the tree swing of my childhood and the mountains in VA where I was born.

Ireland

This is Ireland, a round tower that became a rich symbol to me of God’s protection, a rambling castle, and the cove where we’d swim.

Poland

This is Poland and my favorite old church in our town.

The water stands for all the water I’ve been in, at least the Irish Sea, the Baltic, Lake Erie, the Aegean, the Mediterranean.

Greece is on the far, misty horizon.

More than a fun art lesson of shades and tints, perspective and silhouettes, I love how this briefly tells the story of my life. In another 20 years, I hope the painting will look different, but this my current story.

I also like that it shows how each element is a part of the whole, and can’t be isolated without loss to the whole. I live in Pennsylvania but part of me is still far away and it’s rare when my worlds overlap. Which I guess is why I cried during the intern reports.